|



The book
Central to the
book is a complete showing of all the pages in the manuscript that are not
blank.
To accompany
these full-colour images, reproduced from high-quality scans, Dr Kelsey Jackson
Williams has written an extended biographical and contextual essay entitled
Youth, building, loss, the pages of which run in parallel with the images.
Dr Kate Bennett
and Professor Peter Davidson have contributed introductory essays and commentary
on the individual drawings by Aubrey, considering the place which the manuscript
holds in the canon of Aubrey’s works, and in the history of English responses to
antiquity and to the English landscape.
All of Aubrey's
Latin quotations have been carefully transcribed and traced to their original
sources.
Extracts from
two large-scale Ordnance Survey maps of the area around Lower Easton Piercy
illustrate the viewpoints that Aubrey took in his drawings of the estate.
. . . and its format
Aubrey’s manuscript is landscape in format and we have retained that shape.
Our book
is bound between boards covered with a paper specially hand-marbled by English
paper marbler Jemma Lewis in the style of that chosen by Aubrey for his own
binding of his manuscript. The leaves are sewn Japanese style though a faux
vellum spine.
The book is slightly larger than A3 (about 17in wide and 12in
deep) and runs to 68pp, so it makes a handsome volume.
There are 120
copies of which just 100 are for sale. Each copy is signed by the three authors.
 |
|
of the
book’s cover
|
 |
|
of a
sample page - please note this brings up an 18MB PDF*
|
| |
|
|
* Image
therein © Bodleian Library, University of Oxford 2018
Copyright (c) 2021 Martyn Ould
|